Something
you have to understand and be aware of is that stitched images will
exhibit perspective in just the same way as a single shot
covering the same degree of view. In other
words shoot upwards at a building and converging verticals will
exist, or assemble a cylindrical stitch greater than 120° and the
resulting perspectives will be the same as those found when a fish-eye
lens, corrected not circular, is used.
Here's
a 360° cylindrical stitch Panorama. The two cars on the right, the
silver and blue, look to be parked at 90° to each other, yet in
actual fact they were in line, although not quite bumper to bumper. They were directly opposite the
4x4's on the left which would seem to be on another road altogether.
The odd branches at the extreme left top hand corner are those from
the tree seen at the right hand edge.
The
horizontal perspective encountered in images such as these, the
bending of straight lines and edges, cannot be altered, but
vertical perspective can, depending on the degree of vertical view
involved, because the perspective in each part of the image is in relation to
that around it and so it has to be treated as a whole.
Here's
a 180° cylindrical stitch Panorama which probably illustrates more
graphically the bending and blending of the different perspectives
involved over such a wide field of view. The road used for this
stitch is dead straight, which is why we chose it, yet it would
appear here as if it takes a 90° right angled turn right in front
of the camera.
Unfortunately
on the only decent day weather-wise we had to take the shot, a very
cold winters day, it was extremely bright with a low sun and high
contrast. The software made a fair stab at blending the images, all
28 of them, in two rows taken vertically, but another of the problems that arise with
images like this is the variation of colour - banding - that can occur in the
sky. We've left it untouched here so you can see the result, which
would benefit from some tweaking.
Here's
the initial pre-adjustment merge the software presented for
comparison. The initial perspective results from the lower row being
taken horizontally, and the upper row with the camera angled upwards
to capture the top of the church at the centre, which would
otherwise have been cut off.
As
you can see we adjusted the perspective before rendering by dragging
the stitch downwards. In PTGui you can move the complete stitch
anywhere you like, up, down, sideways etc. As it is moved the
perspective is re-drawn allowing you to alter stitches until you are
happy with the resulting perspective.
It's
not only multiple stitches covering a wide view that need and can
benefit from perspective alteration though, it can apply equally to simple ones too. Here's an initial merge of two ordinary
shots of the old town fort at Riva Del Garda. This is situated on
the northern shore of Lake Garda in Italy.
The
merge is okay basically but the forts perspective looks a bit odd.
There's too much 'leaning inwards' - converging verticals - involved. So we moved it about a
little bit to correct this. Here's where it
ended up. We didn't move it much. Sometimes only a slight movement
can have the desired effect.
And
here's the finished shot, nothing special, but a bit better
than the individual images.
The
only advise we would give regarding perspective adjustment with
stitch images is that we have found it to be better to do this in
the stitching software, before rendering the finished stitch, than
afterwards in a photo editor such as Photoshop. The reason is
simple. Firstly, in the case of PTGui at least, the stitching
software works with thumbnails so it's quicker and easier to do.
Secondly, and probably more importantly, when you re-draw the image
in stitch software, the perspective in each individual image is
re-drawn to match each other and the horizontal and vertical
perspective relationship is maintained. This does not happen with a
finished image opened in a photo editor, the relationship between
horizontal and vertical perspective is not always maintained and it
can result in a lot of hard work to get the same final result.
We
hope the information we've provided here has been of use and
interest to you, and has given you an idea as to the possibilities
that exist with Panoramic and stitch images