When we started
this site one of our first pages concerned the conversion of the
Pentax cable 'F' switch - used with the 'Z' series film cameras
- to enable it to be used with the *ist-D. Cable 'F' switch .
(This can also be used when converted with the same cameras that
this DIY electronic cable release is intended to be used with).
Since that time there have been several
users who have made their own electronic cable releases and recently there has been
renewed interest in this subject.
In order to assist those
who would like to try this we are providing some details on how to
go about this and the parts that you will need. Making your own
electronic cable release is fairly easy and cheap. It cost us just £5.00 to
buy the parts needed, a fifth of the cost of the cheapest electronic
cable release that uses the same connection.
The electronic
connection used in the camera's is a 2.5mm stereo audio socket. Many DSLR's/SLR's from several makers now use this
connection for use with electronic cable releases. Plugs to suit this
connection, usually called stereo jacks, are easily obtained from
any good electronic store, as are most other parts needed. In the
UK www.maplin.co.uk
is a good online source. They have also recently started to open stores on a number of
high streets, conveniently replacing the Tandy electronic shops, a
past good source of components, who disappeared a few years ago.
As there many camera
users who are uncertain about how the electronic cable releases
work, and thus what parts are required, and why, we will deal with this
aspect first.
Camera
Shutter Buttons
Camera shutter releases
- shutter buttons - work in two stages. The first stage, the
half-press, engages the AF and metering circuits. The second stage, the full
press, also engages the shutter circuit. The switches used are of the
pressure type. Applying pressure makes/completes the circuit,
removing it breaks it. These are signal circuits. What this means is
that the circuit does not carry much current, just that when made it
'switches on' further circuits. In these cases the AF/metering and shutter
circuits.
Electronic cable
releases are designed to work in the same way, again using two stage
pressure switches. In order to make them easy to use with the
bulb mode, especially with long timed exposures where it can become
awkward continuously holding down the shutter button, some cable releases
have a 'lock' which when used keeps the switch 'on' and the shutter
open. In bulb mode of course the shutter remains open for as long as the
shutter button is pressed down.
Two stage switches are
used to ensure the AF/metering circuits engage before the shutter circuit.
This is for two reasons. It enables the AF system and metering to be
used without actually taking a shot, the button only being pressed
half way and no further. And it prevents the shutter being fired
without the lens being correctly focused if this is desired.
Whilst the shutter will fire if the circuit is energized,
the circuits are designed so that once the AF circuit is made, the
shutter circuit will not complete and the shutter fire until the AF system has worked and
confirmed correct focus. This only occurs in single shot or continuous
AF. When the camera is set to MF mode, whilst a half press of the
shutter button will engage focus confirmation and metering, it will
not prevent the shutter firing on full depression of the shutter
button, which occurs irrespective of whether correct focus has been obtained and
confirmed.
In single shot AF once
the shutter button as been pressed halfway and the circuit made the
AF works until focus is confirmed. It does not matter if the circuit
remains made the AF will not continue to work. The circuit needs to
be broken and re-made for this to happen. This happens by lifting
your finger from the shutter button and then pressing down again. In
continuous AF the opposite happens. The AF works and continues to
work, re-focusing as necessary, until the circuit is broken.
When the shutter button
is pressed fully down and the shutter circuit is made the shutter fires. For how long it
remains open depends on the metering mode used. In every mode except
'bulb' the time is fixed by the metering method being used and the shutter will close after this time.
In 'bulb' mode the shutter remains open for as long as the shutter
button remains pressed down. How many times the shutter fires
depends on the AF mode chosen, one in single shot and multiple in
continuous.
As you can see, shutter
buttons using pressure switches are used because they provide the
most convenient way of making the AF/metering work and firing the
shutter. The only slight drawback with the design is, as we have
stated, the awkwardness of holding down the shutter button for long
periods in connection with long time exposures in bulb mode. But
this is over-ridden by the fact that in general very few
photographers use bulb
mode much these days, and some not at all. This is particularly true of present
day cameras where timed exposures of up to 30 seconds are common and
cater for most needs.
Wiring
circuits
The circuits for
wiring a cable release are simple on/off one's, most of the
circuitry being inside the camera. Just three core cable is needed.
One core carries the 'feed' from the camera to the switches, with
the other two carrying the feed back when the contacts are made
completing each respective circuit. fig 1
Although we have tried,
we have been unable to find any proprietary two stage pressure switches that
could be used as a shutter button, and so two individual push button
pressure switches need to be used. These are very common and easily
obtained. As a result all you really need
to make a cable release are two push button switches, a container
which fits in the hand in which to fit them, a length of three core
cable, and a 2.5mm stereo audio jack.
Finding a container in which to fit
the switches, and which is
easy to hold and obtain has been cleverly solved by those who have
hit upon the idea of using an old film canister/container. Small
diameter 3 core cable is not so easy to find. We have used some
3amp, but it's diameter is still a bit too big and the cable is
rather stiffer than we would have liked, but it does the job. You
may have better luck in finding more flexible smaller diameter
cable.
An additional switch you
may like to incorporate into the design is a simple on/off type to
use with the bulb mode. This is wired in parallel with the shutter
circuit push button and used instead of it when needed. fig
2
Here are shots of the
switches used along with the stereo jack.
The wiring for the
stereo jack is as follows ; Base - feed. Middle - AF/Metering. End -
Shutter. Be sure to use a simple on/off type toggle switch if you
fit one for the bulb mode. These toggle switches are made in a
variety of formats which outwardly look similar, single pole, double
pole, on/off, changeover, centre off, passing contact. Just ask for
a single pole on/off type.
Actually making the
cable release is not a difficult or time consuming business and is
easily accomplished with a small soldering iron of about 15watts
with a small tip and something with which to make the
holes in the film canister for the switches and the wire.
We played around with
the film canister for a while whilst deciding where to position the push
buttons and came to the conclusion that for us, placing the AF
button in the middle top, and the shutter button about half way down
the side worked well. It seemed easier to push down with your thumb,
and then squeeze with your index finger, rather than the other way
around. But of course where you place the buttons is up to
you. Some place both buttons on the side. As two individual
buttons are used you must remember that the design requires that you
are able to depress the AF/metering button before the shutter one. All you must
remember to do is to leave enough room between them inside the
canister so that their respective contacts do not touch.
It is best to actually
wire up the two push button switches before fixing them in place in
the canister. It's impossible to solder up the connections once
they are fitted in the canister. Similarly it's best if you can find
some way of holding the stereo jack while you are soldering up the
wires to it. We used one of those 'helping hands' units that has
crocodile clips for holding objects while you work on them. See
photo's below.
And here is the
finished result next to the standard Pentax cable 'F' switch. As you
can see there is hardly any difference in size and it works just as
well.
Not bad for a fiver
[£5.00], a little effort finding the parts, and an hours work
making it.